Some stories don’t come with happy endings… and some tracks don’t pretend they do.
<a href="/artists/donnie-ozone/">Donnie Ozone</a> returns with “She Got Lost,” his 22nd release on blocSonic and a uniDrop that wastes zero time pulling you into a narrative that hits like concrete. Featuring <a href="/artists/cheese/">Cheese</a> — one half of blocSonic veterans <a href="/artists/cheese-n-pot-c/">Cheese N Pot-C</a> — this one pairs two voices that know exactly how to carry weight without showboating.
The premise is as vivid as it is sobering. Donnie paints a portrait of someone swallowed whole by circumstance — the city, the streets, the spiral. No glamorization. No distance. Just unflinching observation delivered with that signature old-school flow he’s been sharpening since his first blocSonic drop back in 2016. Then Cheese steps in and flips the perspective wide open — pulling back to examine the systems, the failures, the “choose your own adventure” that was never really a choice. Two MCs, two angles, one story that refuses to let you look away.
This is what happens when artists who’ve been in the trenches — Donnie out of Brooklyn, Cheese recording from southern Kyushu — lock in on something real. No filler. No posturing. Just bars that mean something.
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Some stories don’t come with happy endings… and some tracks don’t pretend they do.
Donnie Ozone returns with “She Got Lost,” his 22nd release on blocSonic and a uniDrop that wastes zero time pulling you into a narrative that hits like concrete. Featuring Cheese — one half of blocSonic veterans Cheese N Pot-C — this one pairs two voices that know exactly how to carry weight without showboating.
The premise is as vivid as it is sobering. Donnie paints a portrait of someone swallowed whole by circumstance — the city, the streets, the spiral. No glamorization. No distance. Just unflinching observation delivered with that signature old-school flow he’s been sharpening since his first blocSonic drop back in 2016. Then Cheese steps in and flips the perspective wide open — pulling back to examine the systems, the failures, the “choose your own adventure” that was never really a choice. Two MCs, two angles, one story that refuses to let you look away.
This is what happens when artists who’ve been in the trenches — Donnie out of Brooklyn, Cheese recording from southern Kyushu — lock in on something real. No filler. No posturing. Just bars that mean something.
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Donnie Ozone “She Got Lost (Featuring Cheese)” (BSUNI0027)

Here’s the thing about Tha Silent Partner… the man doesn’t just make music. He builds monuments, then quietly moves on to the next one.
Today marks the arrival of “Platters, Tha Final Act (Tha Lost Plates Of Egadz)” — the ninth installment in TSP’s beloved Platters series, and possibly the last? Let that settle for a moment. Nine acts. A run that’s become a cornerstone of the blocSonic catalog. And for the finale? TSP reaches back to beats composed between November 2010 and February 2011 — tracks he thought were lost after a PC crash. Fortunately, exported stems survived, and what you’re hearing today is the careful final mixdown of that rescued material.
This one’s personal. The “Egadz” in the title refers to Evan, a producer and graphic designer behind Cursed Out Productions. TSP met Evan through mutual connections in the netlabel world, and the creative respect ran deep. Evan handled artwork for Waasawki Music Group. TSP, inspired by Evan’s debut album, built these ten tracks as a gift between friends. When he learned Evan’s album was a one-time bucket list project, TSP was content to let the music live privately. But now, before the curtains close on the Platters series, he’s sharing it with all of us.
Ten tracks. Composed in Reason Studio’s Record program. Recovered from the wreckage of a hard drive crash and pieced back together with intention. That’s not just production — that’s dedication.
With 61 releases at blocSonic and a discography that spans house, ambient, soundscapes, and straight hip-hop, TSP continues to prove that range isn’t a gimmick — it’s a lifestyle. From his first appearance on netBloc Vol. 11 back in 2008 to this moment right here, the man has been one of the most consistent and adventurous voices in the blocSonic family.
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Here’s the thing about Tha Silent Partner… the man doesn’t just make music. He builds monuments, then quietly moves on to the next one.
Today marks the arrival of “Platters, Tha Final Act (Tha Lost Plates Of Egadz)” — the ninth installment in TSP’s beloved Platters series, and possibly the last? Let that settle for a moment. Nine acts. A run that’s become a cornerstone of the blocSonic catalog. And for the finale? TSP reaches back to beats composed between November 2010 and February 2011 — tracks he thought were lost after a PC crash. Fortunately, exported stems survived, and what you’re hearing today is the careful final mixdown of that rescued material.
This one’s personal. The “Egadz” in the title refers to Evan, a producer and graphic designer behind Cursed Out Productions. TSP met Evan through mutual connections in the netlabel world, and the creative respect ran deep. Evan handled artwork for Waasawki Music Group. TSP, inspired by Evan’s debut album, built these ten tracks as a gift between friends. When he learned Evan’s album was a one-time bucket list project, TSP was content to let the music live privately. But now, before the curtains close on the Platters series, he’s sharing it with all of us.
Ten tracks. Composed in Reason Studio’s Record program. Recovered from the wreckage of a hard drive crash and pieced back together with intention. That’s not just production — that’s dedication.
With 61 releases at blocSonic and a discography that spans house, ambient, soundscapes, and straight hip-hop, TSP continues to prove that range isn’t a gimmick — it’s a lifestyle. From his first appearance on netBloc Vol. 11 back in 2008 to this moment right here, the man has been one of the most consistent and adventurous voices in the blocSonic family.
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Tha Silent Partner “Platters, Tha Final Act (Tha Lost Plates Of Egadz)” (BSOG0154)

Let’s talk about consistency.
Donnie Ozone has been holding it down at blocSonic since 2016. Twenty-one releases deep. Featured on thirty-three more from fellow artists. Host of Tha Bloc Report. The man doesn’t just participate in the Creative Commons hip-hop scene… he is the scene.
Now he’s back with &quot;Boom Scat&quot;… a straight-up boom bap anthem that channels everything we love about late-80s and early-90s hip-hop energy. Brooklyn swagger meets reel-to-reel grit. No frills. No filler. Just bars.
This one’s a mission statement disguised as a single. Donnie’s out here doing it for the love, not the algorithm. City nightlife creature vibes. Jazz-inflected head-nod territory. The kind of track that reminds you why you fell for hip-hop in the first place.
From ccMixter uploads to global collaborations, Donnie Ozone carved his own lane… and &quot;Boom Scat&quot; proves he’s still accelerating.
Grab it in FLAC, MP3, or OGG. Play it loud. Tell a friend.
That’s how we rock it at blocSonic.
Thanks to Donnie Ozone for delivering this fantastic first uniDrop of the year!
Of course, thanks once again to you for downloading &amp; listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Let’s talk about consistency.
Donnie Ozone has been holding it down at blocSonic since 2016. Twenty-one releases deep. Featured on thirty-three more from fellow artists. Host of Tha Bloc Report. The man doesn’t just participate in the Creative Commons hip-hop scene… he is the scene.
Now he’s back with "Boom Scat"… a straight-up boom bap anthem that channels everything we love about late-80s and early-90s hip-hop energy. Brooklyn swagger meets reel-to-reel grit. No frills. No filler. Just bars.
This one’s a mission statement disguised as a single. Donnie’s out here doing it for the love, not the algorithm. City nightlife creature vibes. Jazz-inflected head-nod territory. The kind of track that reminds you why you fell for hip-hop in the first place.
From ccMixter uploads to global collaborations, Donnie Ozone carved his own lane… and "Boom Scat" proves he’s still accelerating.
Grab it in FLAC, MP3, or OGG. Play it loud. Tell a friend.
That’s how we rock it at blocSonic.
Thanks to Donnie Ozone for delivering this fantastic first uniDrop of the year!
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Donnie Ozone “Boom Scat” (BSUNI0026)

What happens when truth gets scrambled, deepfakes look realer than memory, and everyone's arguing from a different version of reality? <a href="/artists/timezone-lafontaine/">Timezone Lafontaine</a> doesn’t just ask the question—he drops it on your doorstep, wraps it in rhyme, and titles it The Hypnotists.
The second maxi-single from Unrealest arrives with two unreleased remixes and a cold stare at the chaos. “The Hypnotists (Stay Asleep Mix)” expands on a verse-packed critique of synthetic identities, weaponized disinfo, and the collapse of shared facts. Meanwhile, “Stay High (Where Is Everyone? Mix)” keeps the energy up while delivering bars about purpose, resistance, and not giving in.
It’s not just music—it’s a lyrical dispatch from inside the glitch.
This marks Timezone’s 11th blocSonic release and his second drop of 2026, following the New Year’s arrival of It’s Dust. If that release cracked the window, this one blows it wide open.
Reality distortion is the baseline now. Timezone Lafontaine’s just giving you the receipts.
Thanks a million to Timezone for kicking off 2026 with some serious heat!
Of course, thanks once again to you for downloading &amp; listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

What happens when truth gets scrambled, deepfakes look realer than memory, and everyone's arguing from a different version of reality? Timezone Lafontaine doesn’t just ask the question—he drops it on your doorstep, wraps it in rhyme, and titles it The Hypnotists.
The second maxi-single from Unrealest arrives with two unreleased remixes and a cold stare at the chaos. “The Hypnotists (Stay Asleep Mix)” expands on a verse-packed critique of synthetic identities, weaponized disinfo, and the collapse of shared facts. Meanwhile, “Stay High (Where Is Everyone? Mix)” keeps the energy up while delivering bars about purpose, resistance, and not giving in.
It’s not just music—it’s a lyrical dispatch from inside the glitch.
This marks Timezone’s 11th blocSonic release and his second drop of 2026, following the New Year’s arrival of It’s Dust. If that release cracked the window, this one blows it wide open.
Reality distortion is the baseline now. Timezone Lafontaine’s just giving you the receipts.
Thanks a million to Timezone for kicking off 2026 with some serious heat!
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Timezone Lafontaine “The Hypnotists” (BSMX0240)

Welcome to 2026. Let’s talk dust.
<a href="/artists/timezone-lafontaine/">Timezone Lafontaine</a> wastes no time kicking open the new year with “It’s Dust,” the first maxi-single from his deep-diving full-length, Unrealest. This 3-track maxBloc doesn’t just accompany the album… it expands it. Think of it as the hidden backroom behind the backroom.
The release leads with the “Who Is It?” Mix of “It’s Dust”… a reimagining that rips through layered illusions and dusty distractions with new urgency. The haunting and cinematic “Tech Noir” also re-emerges, this time with the &quot;Trackers Mix&quot; featuring longtime blocSonic co-conspirator Headsnack, flipping the data paranoia dial deep into the red.
If you've been following Timezone via his surgical megamix work on Tha Bloc Report’s 20 Minute Workout segments, you already know he’s got the range. But here, he’s turning the knobs with the precision of a poet in a surveillance state. That final track? The original “It’s Dust” album version, restating its purpose, completing the loop.
This marks Timezone’s 10th official blocSonic release. A milestone, sure… but “It’s Dust” feels less like a celebration and more like a reminder: time’s ticking, perception’s shifting, and art’s still one of the realest tools we’ve got.
Start the year in the deep end.
Happy New Year to Timezone! Thanks for closing out 2025 with these gems!
Of course, thanks once again to you for downloading &amp; listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Welcome to 2026. Let’s talk dust.
Timezone Lafontaine wastes no time kicking open the new year with “It’s Dust,” the first maxi-single from his deep-diving full-length, Unrealest. This 3-track maxBloc doesn’t just accompany the album… it expands it. Think of it as the hidden backroom behind the backroom.
The release leads with the “Who Is It?” Mix of “It’s Dust”… a reimagining that rips through layered illusions and dusty distractions with new urgency. The haunting and cinematic “Tech Noir” also re-emerges, this time with the "Trackers Mix" featuring longtime blocSonic co-conspirator Headsnack, flipping the data paranoia dial deep into the red.
If you've been following Timezone via his surgical megamix work on Tha Bloc Report’s 20 Minute Workout segments, you already know he’s got the range. But here, he’s turning the knobs with the precision of a poet in a surveillance state. That final track? The original “It’s Dust” album version, restating its purpose, completing the loop.
This marks Timezone’s 10th official blocSonic release. A milestone, sure… but “It’s Dust” feels less like a celebration and more like a reminder: time’s ticking, perception’s shifting, and art’s still one of the realest tools we’ve got.
Start the year in the deep end.
Happy New Year to Timezone! Thanks for closing out 2025 with these gems!
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Timezone Lafontaine “It’s Dust” (BSMX0239)

Today marks the release of Silentnovelle (Chillage Special Edition), a deep-cut chapter from <a href="/artists/tha-silent-partner/">Tha Silent Partner</a> that finally steps out of the archive and into the light.
This collection traces back to TSP’s early experimental years, when curiosity outweighed certainty and new directions felt risky but necessary. During that time, connections formed with Mick and Paul Chillage through This Side Music and their XFM show The Chillage Idiots. A handful of these pieces made it onto the airwaves, friendships followed, and what you’re hearing now is the result of that creative overlap.
Most of these compositions lived quietly for years—shared first with trusted ears, sometimes released, often not. Life intervened, confidence wavered, and the path shifted. Some projects were shelved. Others, like this one, waited patiently for the right moment and the right home.
That home, once again, is blocSonic.
With Silentnovelle (Chillage Special Edition), TSP revisits a formative era without revisionist polish or apology. It’s reflective without being nostalgic, personal without explanation, and unapologetically intact. The title nods to masked narratives and quiet realizations—those moments where you recognize the room, the roles, and the people who’ve been there before.
This release also marks a milestone: 60 releases deep at blocSonic. Not many artists can point to a catalog this broad, this restless, and this consistently exploratory.
Today, Silentnovelle (Chillage Special Edition) is officially available. No footnotes. No rewrites. Just a long-overdue chapter, now exactly where it belongs.
TSP, thanks for continuing to drop these archive releases at the bloc!
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Today marks the release of Silentnovelle (Chillage Special Edition), a deep-cut chapter from Tha Silent Partner that finally steps out of the archive and into the light.
This collection traces back to TSP’s early experimental years, when curiosity outweighed certainty and new directions felt risky but necessary. During that time, connections formed with Mick and Paul Chillage through This Side Music and their XFM show The Chillage Idiots. A handful of these pieces made it onto the airwaves, friendships followed, and what you’re hearing now is the result of that creative overlap.
Most of these compositions lived quietly for years—shared first with trusted ears, sometimes released, often not. Life intervened, confidence wavered, and the path shifted. Some projects were shelved. Others, like this one, waited patiently for the right moment and the right home.
That home, once again, is blocSonic.
With Silentnovelle (Chillage Special Edition), TSP revisits a formative era without revisionist polish or apology. It’s reflective without being nostalgic, personal without explanation, and unapologetically intact. The title nods to masked narratives and quiet realizations—those moments where you recognize the room, the roles, and the people who’ve been there before.
This release also marks a milestone: 60 releases deep at blocSonic. Not many artists can point to a catalog this broad, this restless, and this consistently exploratory.
Today, Silentnovelle (Chillage Special Edition) is officially available. No footnotes. No rewrites. Just a long-overdue chapter, now exactly where it belongs.
TSP, thanks for continuing to drop these archive releases at the bloc!
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Tha Silent Partner “Silentnovelle (Chillage Special Edition)” (BSOG0153)

<a href="/artists/tha-silent-partner/">Tha Silent Partner</a> has a way of treating his hard drive like an archaeological dig site. Every so often, something long-buried surfaces… mysterious, dusty, maybe mislabeled… and suddenly we’re staring at a new chapter in the TSP saga. “Don’t Get Slapped In The Old Country” is one of those rediscovered gems: four instrumental beats, all flipped from the same sample, all originally crafted back in 2014… yet somehow aging better than most things from 2014.
TSP himself admits he barely remembers making these. That tracks. The man has released nearly 60 projects with blocSonic, spanning house, ambient, beat tapes, sound experiments, and everything in between. When you’ve created that much, memory becomes optional. What matters is the vibe… and this set is dripping with it.
These four “Slapped In The Old Country” cuts form a compact, dusty-laced snapshot of a particular moment in TSP’s beatmaking brain. One even snuck onto SIX ONNA 7 (Part 3) years ago. The rest? Hidden away until now, quietly waiting for their day in the sun.
Today’s that day.
For longtime fans, this release fits perfectly into the eccentric, ever-expanding mosaic of his blocSonic output. For newcomers, it’s a great entry point: brief, cohesive, playful, and unmistakably TSP. Another small window into the world of a producer whose range stretches from gentle ambient drift to hard-edged hip-hop underworld.
From Luton to Florida to hard drives everywhere, Tha Silent Partner continues to surprise… even himself. Dive in, enjoy the dust, and don’t get slapped.

Tha Silent Partner has a way of treating his hard drive like an archaeological dig site. Every so often, something long-buried surfaces… mysterious, dusty, maybe mislabeled… and suddenly we’re staring at a new chapter in the TSP saga. “Don’t Get Slapped In The Old Country” is one of those rediscovered gems: four instrumental beats, all flipped from the same sample, all originally crafted back in 2014… yet somehow aging better than most things from 2014.
TSP himself admits he barely remembers making these. That tracks. The man has released nearly 60 projects with blocSonic, spanning house, ambient, beat tapes, sound experiments, and everything in between. When you’ve created that much, memory becomes optional. What matters is the vibe… and this set is dripping with it.
These four “Slapped In The Old Country” cuts form a compact, dusty-laced snapshot of a particular moment in TSP’s beatmaking brain. One even snuck onto SIX ONNA 7 (Part 3) years ago. The rest? Hidden away until now, quietly waiting for their day in the sun.
Today’s that day.
For longtime fans, this release fits perfectly into the eccentric, ever-expanding mosaic of his blocSonic output. For newcomers, it’s a great entry point: brief, cohesive, playful, and unmistakably TSP. Another small window into the world of a producer whose range stretches from gentle ambient drift to hard-edged hip-hop underworld.
From Luton to Florida to hard drives everywhere, Tha Silent Partner continues to surprise… even himself. Dive in, enjoy the dust, and don’t get slapped.

Tha Silent Partner “Don’t Get Slapped In The Old Country” (BSMX0238)

Some records speak to the moment. Unrealest documents it.
With his ninth blocSonic release, <a href="/artists/timezone-lafontaine/">Timezone Lafontaine</a> crafts an album that’s as intellectually dense as it is sonically raw. This is the artist in full architect mode-constructing a sonic space where broken tech, political unease, and identity fatigue all collide into an abstract reality you can live inside. If only for 37 minutes.
“Big Picture” turns advertising jargon into philosophical horror. “Tech Noir” explores seduction as surveillance. “The Ratio” gives voice to the creative's dilemma in a world built for consumption. Together, these songs form a kind of audio collage—fragmented, frenzied, and painfully accurate.
TZLF’s collaborators lean all the way in. Headsnack, CM aka Creative, 34Pro, Blak Madeen, Donnie Ozone, and Cheese N Pot-C all show up not just as guests but as co-conspirators. Their verses aren’t just about skill, they’re tethered to the album’s themes like layers in a shared thesis. “Let’s Go” is less a cypher and more a collective manifesto.
What elevates Unrealest is its emotional depth. Amid the data paranoia and cultural critique, there’s a search for connection, for creative meaning. “Stay High” and “Victory Lap” show a different side of the project—where resistance becomes rhythm, and the act of creating is a form of healing.
Sonically, the album fuses lo-fi textures with hi-concept execution. It’s dusty, distorted, and filled with spectral voices—some sampled, some real, all relevant. It’s not trying to polish the sound of the moment, it’s trying to record the feeling of living through it.
Timezone Lafontaine doesn’t offer escapism. Unrealest asks you to stay. To look. To listen.
Because sometimes the only way through unreality… is to make something real.
After a few years, it’s great to finally have a new album by the man who’s been bringing us the incredible 20-Minute Workout on Tha Bloc Report! This album is such a beautiful sonic and lyrical journey… mega thanks to Timezone and all collaborators!
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Some records speak to the moment. Unrealest documents it.
With his ninth blocSonic release, Timezone Lafontaine crafts an album that’s as intellectually dense as it is sonically raw. This is the artist in full architect mode-constructing a sonic space where broken tech, political unease, and identity fatigue all collide into an abstract reality you can live inside. If only for 37 minutes.
“Big Picture” turns advertising jargon into philosophical horror. “Tech Noir” explores seduction as surveillance. “The Ratio” gives voice to the creative's dilemma in a world built for consumption. Together, these songs form a kind of audio collage—fragmented, frenzied, and painfully accurate.
TZLF’s collaborators lean all the way in. Headsnack, CM aka Creative, 34Pro, Blak Madeen, Donnie Ozone, and Cheese N Pot-C all show up not just as guests but as co-conspirators. Their verses aren’t just about skill, they’re tethered to the album’s themes like layers in a shared thesis. “Let’s Go” is less a cypher and more a collective manifesto.
What elevates Unrealest is its emotional depth. Amid the data paranoia and cultural critique, there’s a search for connection, for creative meaning. “Stay High” and “Victory Lap” show a different side of the project—where resistance becomes rhythm, and the act of creating is a form of healing.
Sonically, the album fuses lo-fi textures with hi-concept execution. It’s dusty, distorted, and filled with spectral voices—some sampled, some real, all relevant. It’s not trying to polish the sound of the moment, it’s trying to record the feeling of living through it.
Timezone Lafontaine doesn’t offer escapism. Unrealest asks you to stay. To look. To listen.
Because sometimes the only way through unreality… is to make something real.
After a few years, it’s great to finally have a new album by the man who’s been bringing us the incredible 20-Minute Workout on Tha Bloc Report! This album is such a beautiful sonic and lyrical journey… mega thanks to Timezone and all collaborators!
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Timezone Lafontaine “Unrealest” (BSOG0152)

There’s always a story behind Tha Silent Partner’s music — sometimes loud, sometimes whispered, and sometimes left sitting in a drive for over a decade waiting for its moment. Today, that moment arrives. “Expired Goods” is a four-track dispatch from 2011, rescued, restored, and now finally released into the world the way it always deserved to be.
Back then, TSP was fresh off a successful collaborative joint with another label. The plan: follow up with an EP. The beats were made. The vibe was sharp. The collaborator even dropped the magic word — “dope.” And then? Nothing. Total silence. A vanishing act worthy of an urban legend.
So TSP did what TSP does — moved on, made more music, built an enormous catalog, and kept evolving. But the beats stayed shelved. Not forgotten… just waiting for the right moment.
“Expired Goods” is that moment.
Across these four instrumental cuts, you get pure TSP range — shadowy downtempo, pulsing house, a hip-hop/reggae hybrid stride — all from an era that shaped who he’d become. They’re snapshots from a fork in the road, where one project died but the creativity didn’t.
Originally from Luton and now Florida-based, Tha Silent Partner has been part of the blocSonic orbit since 2008, building a catalogue that’s become a universe of its own. With nearly 60 releases, he’s long mastered the art of reinvention — but here, you get something rarer: reinvigoration.
Download the EP, vibe out, and uncover a small but meaningful slice of TSP history.

There’s always a story behind Tha Silent Partner’s music — sometimes loud, sometimes whispered, and sometimes left sitting in a drive for over a decade waiting for its moment. Today, that moment arrives. “Expired Goods” is a four-track dispatch from 2011, rescued, restored, and now finally released into the world the way it always deserved to be.
Back then, TSP was fresh off a successful collaborative joint with another label. The plan: follow up with an EP. The beats were made. The vibe was sharp. The collaborator even dropped the magic word — “dope.” And then? Nothing. Total silence. A vanishing act worthy of an urban legend.
So TSP did what TSP does — moved on, made more music, built an enormous catalog, and kept evolving. But the beats stayed shelved. Not forgotten… just waiting for the right moment.
“Expired Goods” is that moment.
Across these four instrumental cuts, you get pure TSP range — shadowy downtempo, pulsing house, a hip-hop/reggae hybrid stride — all from an era that shaped who he’d become. They’re snapshots from a fork in the road, where one project died but the creativity didn’t.
Originally from Luton and now Florida-based, Tha Silent Partner has been part of the blocSonic orbit since 2008, building a catalogue that’s become a universe of its own. With nearly 60 releases, he’s long mastered the art of reinvention — but here, you get something rarer: reinvigoration.
Download the EP, vibe out, and uncover a small but meaningful slice of TSP history.

Tha Silent Partner “Expired Goods” (BSMX0237)

When <a href="/artists/moki-mcfly/">Moki Mcfly</a> returns, you know the frequencies are about to shift. The Manila-based producer brings his unmistakable blend of rugged hip-hop craftsmanship and understated atmosphere to his eighth blocSonic release, “Harbinger.”
Across 15 tracks, Moki digs deep into the dirt and static of sound — chopping, layering, and reanimating fragments into something that moves with pulse and purpose. The ethereal presence is there, but it lingers in the corners — a faint haze around the edges of his rhythm-heavy world. This is Moki at his most tactile: raw beats, textured samples, and that subtle, cinematic touch that’s become his signature.
The album kicks off with “Echoes in Transit,” a gritty hip-hop joint that sets the tone for a record full of heavy grooves and left-field turns. From there, “Harbinger” unfolds into a set that feels both deliberate and unpredictable — a rugged evolution from past releases like “Tabernacle Sanctuary Alligator Soufflé” (2023), “Aether” (2022), “Grey” (2021), and “MCMLXXXVI” (2020).
Moki Mcfly doesn’t follow trends — he bends them. “Harbinger” stands as another bold transmission from a producer who continues to redefine what underground hip-hop can sound like.

When Moki Mcfly returns, you know the frequencies are about to shift. The Manila-based producer brings his unmistakable blend of rugged hip-hop craftsmanship and understated atmosphere to his eighth blocSonic release, “Harbinger.”
Across 15 tracks, Moki digs deep into the dirt and static of sound — chopping, layering, and reanimating fragments into something that moves with pulse and purpose. The ethereal presence is there, but it lingers in the corners — a faint haze around the edges of his rhythm-heavy world. This is Moki at his most tactile: raw beats, textured samples, and that subtle, cinematic touch that’s become his signature.
The album kicks off with “Echoes in Transit,” a gritty hip-hop joint that sets the tone for a record full of heavy grooves and left-field turns. From there, “Harbinger” unfolds into a set that feels both deliberate and unpredictable — a rugged evolution from past releases like “Tabernacle Sanctuary Alligator Soufflé” (2023), “Aether” (2022), “Grey” (2021), and “MCMLXXXVI” (2020).
Moki Mcfly doesn’t follow trends — he bends them. “Harbinger” stands as another bold transmission from a producer who continues to redefine what underground hip-hop can sound like.

Moki Mcfly “Harbinger” (BSOG0151)

If you’ve ever wondered what happens when musical chaos gets a soundboard upgrade, look no further than Backyard Gods, the brand new full-length from EATM — the unpredictable, unfiltered, genre-scrambling collective of sonic explorers that’s been blowing minds for years.
Recorded over one winter weekend in Hillsdale, New York, this 19-track marathon is a living, breathing document of EATM’s evolution. Once known for their completely improvised sessions, the crew — Headsnack, Man Halen, Old Yist, Shred Lexicon, MC Doctor President, Matty H, Donny Bassball, and Nicolo Toscani — have found a sweet spot between raw instinct and studio precision. With the help of a new multitrack setup, they’ve turned their off-the-cuff fire into something bigger and bolder.
Backyard Gods captures what makes EATM so singular — fearless creativity, bizarre humor, and a spiritual connection to both chaos and craft. You’ll find songs that sound like fully formed visions, others that feel like transmissions from a parallel universe where hip-hop, rock, funk, and soul all share one basement jam session. From the existential poetry of “Death Inside Of The Internet” to the absurdist saga of “Bowling Alley Love” (spanning nine parts in over 9 minutes!), EATM channel divine absurdity into pure sound.
This is EATM at their most realized yet — still spontaneous, still feral, but now armed with sharper tools and a clearer sense of purpose. The gods are indeed in the backyard… and they’ve got something to say.

If you’ve ever wondered what happens when musical chaos gets a soundboard upgrade, look no further than Backyard Gods, the brand new full-length from EATM — the unpredictable, unfiltered, genre-scrambling collective of sonic explorers that’s been blowing minds for years.
Recorded over one winter weekend in Hillsdale, New York, this 19-track marathon is a living, breathing document of EATM’s evolution. Once known for their completely improvised sessions, the crew — Headsnack, Man Halen, Old Yist, Shred Lexicon, MC Doctor President, Matty H, Donny Bassball, and Nicolo Toscani — have found a sweet spot between raw instinct and studio precision. With the help of a new multitrack setup, they’ve turned their off-the-cuff fire into something bigger and bolder.
Backyard Gods captures what makes EATM so singular — fearless creativity, bizarre humor, and a spiritual connection to both chaos and craft. You’ll find songs that sound like fully formed visions, others that feel like transmissions from a parallel universe where hip-hop, rock, funk, and soul all share one basement jam session. From the existential poetry of “Death Inside Of The Internet” to the absurdist saga of “Bowling Alley Love” (spanning nine parts in over 9 minutes!), EATM channel divine absurdity into pure sound.
This is EATM at their most realized yet — still spontaneous, still feral, but now armed with sharper tools and a clearer sense of purpose. The gods are indeed in the backyard… and they’ve got something to say.

EATM “Backyard Gods” (BSOG0150)

That’s right, it’s 10:59. You’ve got one minute left before the corner store locks up and your evening goes one of two ways — either triumphant and restocked, or staring longingly at neon signs through locked doors. It’s that chaotic, hopeful, reckless energy that powers the new <a href="/artists/puck/">P.U.C.K.</a> release, “10:59”. The Previously Unknown Canadian Kids — specifically Long John, Cheese, and Pot-C this round — are back at it again, firing off ten tracks of unfiltered hip-hop madness, dipped in classic blocSonic DIY sauce and rolled in nostalgia like a 90s boombox mixtape. True to the crew’s roots, “10:59” doesn’t just toe the line of absurdist underground energy — it karate-kicks it into next week. And let’s get this out of the way — no, not every member of the massive P.U.C.K. family is on this one. This is a lean operation, built like the old tape-dubbing days where you made what you could with whoever was around. But that doesn’t mean it’s lacking — far from it. Long John, Cheese, and Pot-C bring the ruckus, and Donnie Ozone pops in to drop science on the interstellar “1000 Astros.” Want the rest of the gang? Fire up the latest from <a href="/releases/krazy-shitz/ks4fr/">Krazy Shitz</a> or <a href="/releases/puck/the-puck-crew-presents-pirate-pact-reburied-treasure/">Pirate Pact</a> and throw this into the mix. You’ll have yourself a full P.U.C.K. Crew Universe experience — like the MCU, but with more punchlines and less budget. The title? “10:59” is a nod to those ill-fated late-night booze runs, especially in parts of the world still stuck in pre-internet-era liquor laws. It’s a tribute to the mad dash, the desperation, the eternal “Will I make it?” suspense of suburban inebriation logistics. And yes, it’s another sly wink at Rush. Apparently, the Canadian gods haven’t sued yet, so the references continue. But this release also carries a heavy heart. Earlier this year, we lost our brother Yuk MC. He would’ve been here on this record, no doubt. His presence is deeply missed, though his voice and vision live on through KS4FR, the new Krazy Shitz album also dropping today. It’s all connected. The PCU (P.U.C.K. Crew Universe) is alive and well, and “10:59” is its latest chapter. So slap this into your playlist, download it to your walkman (if you’re fancy like that), and remember — it’s always 10:59 somewhere. Thanks again to the mighty P.U.C.K. crew for delivering the GOODS on Netlabel Day! Of course, thanks once again to you for downloading &amp; listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

That’s right, it’s 10:59. You’ve got one minute left before the corner store locks up and your evening goes one of two ways — either triumphant and restocked, or staring longingly at neon signs through locked doors. It’s that chaotic, hopeful, reckless energy that powers the new P.U.C.K. release, “10:59”.
 The Previously Unknown Canadian Kids — specifically Long John, Cheese, and Pot-C this round — are back at it again, firing off ten tracks of unfiltered hip-hop madness, dipped in classic blocSonic DIY sauce and rolled in nostalgia like a 90s boombox mixtape. True to the crew’s roots, “10:59” doesn’t just toe the line of absurdist underground energy — it karate-kicks it into next week.
 And let’s get this out of the way — no, not every member of the massive P.U.C.K. family is on this one. This is a lean operation, built like the old tape-dubbing days where you made what you could with whoever was around. But that doesn’t mean it’s lacking — far from it. Long John, Cheese, and Pot-C bring the ruckus, and Donnie Ozone pops in to drop science on the interstellar “1000 Astros.” Want the rest of the gang? Fire up the latest from Krazy Shitz or Pirate Pact and throw this into the mix. You’ll have yourself a full P.U.C.K. Crew Universe experience — like the MCU, but with more punchlines and less budget.
 The title? “10:59” is a nod to those ill-fated late-night booze runs, especially in parts of the world still stuck in pre-internet-era liquor laws. It’s a tribute to the mad dash, the desperation, the eternal “Will I make it?” suspense of suburban inebriation logistics. And yes, it’s another sly wink at Rush. Apparently, the Canadian gods haven’t sued yet, so the references continue.
 But this release also carries a heavy heart. Earlier this year, we lost our brother Yuk MC. He would’ve been here on this record, no doubt. His presence is deeply missed, though his voice and vision live on through KS4FR, the new Krazy Shitz album also dropping today. It’s all connected. The PCU (P.U.C.K. Crew Universe) is alive and well, and “10:59” is its latest chapter.
 So slap this into your playlist, download it to your walkman (if you’re fancy like that), and remember — it’s always 10:59 somewhere.
 Thanks again to the mighty P.U.C.K. crew for delivering the GOODS on Netlabel Day!
 Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

P.U.C.K. “10:59” (BSOG0148)

For Netlabel Day 2025, <a href="/artists/c-da-76er/">C da 76er</a> steps out from behind the curtain with Anime Christrumentals, a seven-track instrumental showcase pulled straight from the sonic spine of CM aka Creative’s <a href="/releases/cm-aka-creative/anime-chris/">Anime Chris</a> EP. Whether you’re a beatmaker looking to dissect the layers, a fan who likes to freestyle in your bedroom, or someone who just appreciates the boom-bap brilliance without the bars—this one’s for you. Each track offers a look at the production DNA that powered the vocal versions — from the raw pulse of “Time’s Up” to the head-nod foundation of “Make That Move”. Even “Wicked City” and “Stand Proud” (UKnoWutImSayin’) make their appearances here in stripped-back, beat-centric form. And if you're wondering, yes — C da 76er and CM aka Creative are one and the same. This is CM flexing his dual identity: mic controller and beat constructor. He’s been doing both since blocSonic’s early days, and “Anime Christrumentals” continues that legacy—tapping into years of crate-digging, SP magic, and raw musical instinct. If Anime Chris was the anime arc, Anime Christrumentals is the original storyboard. Press play and hear the beats breathe on their own. CM… thanks for this fantastic collection of instrumentals! More sonic goodies for fans to bump! Of course, thanks once again to you for downloading &amp; listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

For Netlabel Day 2025, C da 76er steps out from behind the curtain with Anime Christrumentals, a seven-track instrumental showcase pulled straight from the sonic spine of CM aka Creative’s Anime Chris EP.
 Whether you’re a beatmaker looking to dissect the layers, a fan who likes to freestyle in your bedroom, or someone who just appreciates the boom-bap brilliance without the bars—this one’s for you.
 Each track offers a look at the production DNA that powered the vocal versions — from the raw pulse of “Time’s Up” to the head-nod foundation of “Make That Move”. Even “Wicked City” and “Stand Proud” (UKnoWutImSayin’) make their appearances here in stripped-back, beat-centric form.
 And if you're wondering, yes — C da 76er and CM aka Creative are one and the same. This is CM flexing his dual identity: mic controller and beat constructor. He’s been doing both since blocSonic’s early days, and “Anime Christrumentals” continues that legacy—tapping into years of crate-digging, SP magic, and raw musical instinct.
 If Anime Chris was the anime arc, Anime Christrumentals is the original storyboard. Press play and hear the beats breathe on their own.
 CM… thanks for this fantastic collection of instrumentals! More sonic goodies for fans to bump!
 Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

C da 76er “Anime Christrumentals” (BSMX0236)

When <a href="/artists/yuk-mc/">Yuk MC</a>, one-third of Vancouver’s underground hip-hop crew <a href="/artists/krazy-shitz/">Krazy Shitz</a>, passed away on January 1st, 2025, he left behind far more than a mic. He left a vibe, a brotherhood, and a blueprint. Today, on Netlabel Day, we celebrate that with the release of KS4FR, the long-awaited full-length follow-up to 2021’s <a href="/releases/krazy-shitz/space-signals/">Space Signals</a> and a tribute to a voice that will never fade. KS4FR is more than an album—it’s a love letter, a time capsule, a final bow, and a new beginning. Over the course of 13 tracks, Yuk MC’s vision takes form with the help of longtime collaborators and extended musical family. CM aka Creative, Long John, Donnie Ozone, Linda &amp; Rhianna Lashin, Kat Wahamaa &amp; Tony Rees all join Cheese N Pot-C in bringing Yuk’s final ideas to life. This isn’t just a follow-up. It’s a follow-through on a promise made between friends, jammed out from hospital beds, shelter rooms, and distant time zones. It’s a project started during the hard times but built with joy, fueled by freestyle spirit and those decades-deep bonds that never fade. Krazy Shitz began in the smoky jam rooms of Vancouver in the late '90s. A trumpet, a rollie request, and a Night Court theme jam session brought Yuk into the PUCK Crew orbit, and nothing was the same after. What started as a spur-of-the-moment invitation turned into years of recording, performing, and building community. Even with life taking them to opposite sides of the globe, the crew found a way back — emails, late night calls, and collabs born out of love and loyalty. Yuk’s legacy is threaded through each bar, each beat, each wild vocal take. You’ll find heartfelt reflections (“The Eloquence Of Yuk”), high-energy cuts, and songs so personal they feel like handwritten letters. KS4FR is a project stitched together by memory, by music, and by a fierce commitment to finishing what Yuk started. So today, we’re not just dropping an album — we’re dropping a moment. We’re raising a glass to Yuk MC and all the real ones we’ve lost along the way. Play it loud. Bop along. And know that Yuk’s still grinning somewhere, thrilled to see the project come alive. KS4FR is for Yuk. Mega thanks to Krazy Shitz… so great to hear Yuk MC again! REST IN POWER, Yuk. Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

When Yuk MC, one-third of Vancouver’s underground hip-hop crew Krazy Shitz, passed away on January 1st, 2025, he left behind far more than a mic. He left a vibe, a brotherhood, and a blueprint. Today, on Netlabel Day, we celebrate that with the release of KS4FR, the long-awaited full-length follow-up to 2021’s Space Signals and a tribute to a voice that will never fade.
 KS4FR is more than an album—it’s a love letter, a time capsule, a final bow, and a new beginning. Over the course of 13 tracks, Yuk MC’s vision takes form with the help of longtime collaborators and extended musical family. CM aka Creative, Long John, Donnie Ozone, Linda & Rhianna Lashin, Kat Wahamaa & Tony Rees all join Cheese N Pot-C in bringing Yuk’s final ideas to life.
 This isn’t just a follow-up. It’s a follow-through on a promise made between friends, jammed out from hospital beds, shelter rooms, and distant time zones. It’s a project started during the hard times but built with joy, fueled by freestyle spirit and those decades-deep bonds that never fade.
 Krazy Shitz began in the smoky jam rooms of Vancouver in the late '90s. A trumpet, a rollie request, and a Night Court theme jam session brought Yuk into the PUCK Crew orbit, and nothing was the same after. What started as a spur-of-the-moment invitation turned into years of recording, performing, and building community. Even with life taking them to opposite sides of the globe, the crew found a way back — emails, late night calls, and collabs born out of love and loyalty.
 Yuk’s legacy is threaded through each bar, each beat, each wild vocal take. You’ll find heartfelt reflections (“The Eloquence Of Yuk”), high-energy cuts, and songs so personal they feel like handwritten letters. KS4FR is a project stitched together by memory, by music, and by a fierce commitment to finishing what Yuk started.
 So today, we’re not just dropping an album — we’re dropping a moment. We’re raising a glass to Yuk MC and all the real ones we’ve lost along the way. Play it loud. Bop along. And know that Yuk’s still grinning somewhere, thrilled to see the project come alive. KS4FR is for Yuk.
 Mega thanks to Krazy Shitz… so great to hear Yuk MC again! REST IN POWER, Yuk.
 Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Krazy Shitz “KS4FR” (BSOG0146)

<a href="/artists/lorenzos-music/">Lorenzo’s Music</a> return to the remix trenches for a second round with Lorenzo’s Remixes, Volume 2, and per usual they’re not going it alone. blocSonic is thrilled to release this twelve-track follow-up for Netlabel Day 2025 — an eclectic remix voyage where friction, melancholy, and midnight grooves all get rerouted and reimagined. Following up last year’s <a href="/releases/lorenzos-music/lorenzos-remixes-volume-1/">Volume 1</a>, this new installment isn’t just a continuation — it’s a remix renaissance. The band themselves reinterpret a few of their songs, proving once again that reinvention is baked into their DNA. Whether it’s the hypnotic mutation of “Blue Water Friction (Boombox tape mix)” or the jittery pulse of “If I Was Alone (Da Dun &amp; I Mix)”, these are not just edits — they’re recontextualizations. Also… don’t sleep on the guests. Label mates Spiedkiks, Headsnack, and Timezone Lafontaine join the fray alongside Velcro Mary and AxWax — each putting their distinct fingerprint on the sound. It’s a remix family reunion with outsiders welcome. Remix culture is about respect, transformation, and bold risks. In that spirit, this collection pulses with the kind of communal creativity that Netlabel Day was built to celebrate. It’s a love letter to possibility — from a band that’s always been more interested in what else than what is. Happy Netlabel Day, and long live the remix! Thanks a million to Lorenzo’s Music and all remixers who participated this time around! Of course, thanks once again to you for downloading &amp; listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Lorenzo’s Music return to the remix trenches for a second round with Lorenzo’s Remixes, Volume 2, and per usual they’re not going it alone. blocSonic is thrilled to release this twelve-track follow-up for Netlabel Day 2025 — an eclectic remix voyage where friction, melancholy, and midnight grooves all get rerouted and reimagined.
 Following up last year’s Volume 1, this new installment isn’t just a continuation — it’s a remix renaissance. The band themselves reinterpret a few of their songs, proving once again that reinvention is baked into their DNA. Whether it’s the hypnotic mutation of “Blue Water Friction (Boombox tape mix)” or the jittery pulse of “If I Was Alone (Da Dun & I Mix)”, these are not just edits — they’re recontextualizations.
 Also… don’t sleep on the guests. Label mates Spiedkiks, Headsnack, and Timezone Lafontaine join the fray alongside Velcro Mary and AxWax — each putting their distinct fingerprint on the sound. It’s a remix family reunion with outsiders welcome.
 Remix culture is about respect, transformation, and bold risks. In that spirit, this collection pulses with the kind of communal creativity that Netlabel Day was built to celebrate. It’s a love letter to possibility — from a band that’s always been more interested in what else than what is.
 Happy Netlabel Day, and long live the remix!
 Thanks a million to Lorenzo’s Music and all remixers who participated this time around!
 Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Lorenzo’s Music “Lorenzo's Remixes, Volume 2” (BSOG0147)

Every Netlabel Day, one artist we know we can count on to come through with a banger is <a href="/artists/donnie-ozone/">Donnie Ozone</a>. Since 2016, he’s made July 14th his own personal tradition. This year is no different. The Brooklyn-based emcee is back with a brand-new single titled P.P.T. — a tight one-track dose of purpose and pride wrapped in the ethos of the underground. P.P.T. is short for Patience, Persistence, Tenacity, a mantra Donnie turns into a lyrical mosaic of grit and gratitude. With bars that reflect the time-honored artistry behind his work, he sets the tone early: <blockquote> “I take my time, create in small batches / I’m an artisan; this rhyme is well-crafted” </blockquote> He’s not chasing trends—he’s honoring craft. Whether name-dropping Paul’s Boutique or big-upping pirate radio culture, Donnie’s words pay homage to the golden age while holding space for the future of independent music. This isn’t mass appeal. This is mastery. As the current host of Tha Bloc Report, Donnie Ozone has become an integral voice in the blocSonic universe. But before the mic checks and podcasts, he started by giving away his vocals on ccMixter over a decade ago. Since then, he’s released tracks that walk the line between classic boom bap, tongue-in-cheek storytelling, and experimental collaboration. P.P.T. continues that legacy. It's a reminder that timeless bars don’t need a playlist algorithm—they just need a real voice and a solid beat. Happy Netlabel Day, Donnie. You did it again. Thanks for another Netlabel Day classic! Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Every Netlabel Day, one artist we know we can count on to come through with a banger is Donnie Ozone. Since 2016, he’s made July 14th his own personal tradition. This year is no different. The Brooklyn-based emcee is back with a brand-new single titled P.P.T. — a tight one-track dose of purpose and pride wrapped in the ethos of the underground.
 P.P.T. is short for Patience, Persistence, Tenacity, a mantra Donnie turns into a lyrical mosaic of grit and gratitude. With bars that reflect the time-honored artistry behind his work, he sets the tone early:
  
“I take my time, create in small batches / I’m an artisan; this rhyme is well-crafted”
  
He’s not chasing trends—he’s honoring craft. Whether name-dropping Paul’s Boutique or big-upping pirate radio culture, Donnie’s words pay homage to the golden age while holding space for the future of independent music.
 This isn’t mass appeal. This is mastery.
 As the current host of Tha Bloc Report, Donnie Ozone has become an integral voice in the blocSonic universe. But before the mic checks and podcasts, he started by giving away his vocals on ccMixter over a decade ago. Since then, he’s released tracks that walk the line between classic boom bap, tongue-in-cheek storytelling, and experimental collaboration.
 P.P.T. continues that legacy. It's a reminder that timeless bars don’t need a playlist algorithm—they just need a real voice and a solid beat.
 Happy Netlabel Day, Donnie. You did it again. Thanks for another Netlabel Day classic!
 Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Donnie Ozone “P.P.T.” (BSUNI0025)

July 14th marks the 10th annual Netlabel Day—and you already know blocSonic had to bring the heat. One of the highlights of our 7-release celebration is the brand-new remix project from Bed-Stuy’s own <a href="/artists/badluck/">BADLUCK</a>. “The Ascended Remixes EP” is a tight four-track joint that finds songs from his 2024 album <a href="/releases/badluck/rocket-science-5-ascended-intellect/">Rocket Science 5: Ascended Intellect</a> flipped, twisted, and elevated by a trio of creative producers. “Ascended Intellect” gets two distinct reworks from Vik44 and blocSonic founder mGee, each bringing their unique creative lens to the track. mGee also returns for a second remix, this time tackling “Take My Soul.” Rounding out the EP is Lowkey Lu, a GLD8TRZ comrade, who delivers his own take on “Give Me My Space,” adding to the project’s diverse lineup of perspectives. BADLUCK’s been part of the blocSonic fam since the early days—2009 to be exact—when he debuted as part of Luck &amp; Ripps on <a href="/releases/luck-ripps/the-catastrophic-connection/">The Catastrophic Connection</a>. Since then, he’s been grinding solo and as a member of GLD8TRZ, KIN/LUCK, and Luck &amp; Doc, always staying true to his New York roots and sharp lyricism. This remix EP is another chapter in that journey—proof that you can keep reinventing while staying grounded in boom bap tradition. Whether you’re here for the beats, the bars, or just the love of independent music culture, “The Ascended Remixes EP” is a reminder that hip-hop—and netlabels—still got something to say. Happy Netlabel Day! Yo Luck, Vik44 and Lowkey Lu… thank you for the dope remixes! Of course, thanks once again to you for downloading &amp; listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

July 14th marks the 10th annual Netlabel Day—and you already know blocSonic had to bring the heat. One of the highlights of our 7-release celebration is the brand-new remix project from Bed-Stuy’s own BADLUCK. “The Ascended Remixes EP” is a tight four-track joint that finds songs from his 2024 album Rocket Science 5: Ascended Intellect flipped, twisted, and elevated by a trio of creative producers.
 “Ascended Intellect” gets two distinct reworks from Vik44 and blocSonic founder mGee, each bringing their unique creative lens to the track. mGee also returns for a second remix, this time tackling “Take My Soul.” Rounding out the EP is Lowkey Lu, a GLD8TRZ comrade, who delivers his own take on “Give Me My Space,” adding to the project’s diverse lineup of perspectives.
 BADLUCK’s been part of the blocSonic fam since the early days—2009 to be exact—when he debuted as part of Luck & Ripps on The Catastrophic Connection. Since then, he’s been grinding solo and as a member of GLD8TRZ, KIN/LUCK, and Luck & Doc, always staying true to his New York roots and sharp lyricism. This remix EP is another chapter in that journey—proof that you can keep reinventing while staying grounded in boom bap tradition.
 Whether you’re here for the beats, the bars, or just the love of independent music culture, “The Ascended Remixes EP” is a reminder that hip-hop—and netlabels—still got something to say.
 Happy Netlabel Day!
 Yo Luck, Vik44 and Lowkey Lu… thank you for the dope remixes!
 Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

BADLUCK “The Ascended Remixes EP” (BSMX0235)

Somewhere between an old hard drive and a dusty riff tape lies a time capsule of Canadian underground absurdity. On this year’s Netlabel Day, the mighty <a href="/artists/puck/">P.U.C.K. Crew</a> (aka the Previously Unknown Canadian Kids) return with Pirate Pact: Reburied Treasure, a 10-track dig through the sonic attic of their past. Call it a beat-fueled treasure map — one that Pot-C decided to finally read. Let’s rewind a bit. When the original P.U.C.K. crew graduated from samplers and turntables to loud guitars and unpredictable jam sessions, The R (aka Reef, aka Reef-Dawg) started pressing record. Fast forward through a move to Japan, the formation of Mister Speeker, scattered shows, and cross-continental cassette swaps, and what you get is a vault of madness that’s somehow only now been cracked open. Rather than hoard the goods, Pot-C — armed with a fistful of these raw, weird, undeniably P.U.C.K. beats — threw darts and hit gold. The result? One of the most delightfully unfiltered P.U.C.K. releases to date. Sure, some of it was born in 2007 jam dens, but the verses are fresh out the oven. Don’t expect polish. Expect charm. Expect chaos. Expect a microwave for your hard drives. From the ridiculous opener “Fuck This Fucking Bullshit Returns” to “Docta Dorra Stohr” (featuring scene legends Dr. D. Stohr and Hammy-D Jr.), this thing slaps like your friend who still burns CDs. It’s loud. It’s hilarious. It’s P.U.C.K. And it wouldn’t be Netlabel Day without them. Yo… many thanks to Pirate Pact for delivering that ISH on Netlabel Day! Of course, thanks once again to you for downloading &amp; listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Somewhere between an old hard drive and a dusty riff tape lies a time capsule of Canadian underground absurdity. On this year’s Netlabel Day, the mighty P.U.C.K. Crew (aka the Previously Unknown Canadian Kids) return with Pirate Pact: Reburied Treasure, a 10-track dig through the sonic attic of their past. Call it a beat-fueled treasure map — one that Pot-C decided to finally read.
 Let’s rewind a bit. When the original P.U.C.K. crew graduated from samplers and turntables to loud guitars and unpredictable jam sessions, The R (aka Reef, aka Reef-Dawg) started pressing record. Fast forward through a move to Japan, the formation of Mister Speeker, scattered shows, and cross-continental cassette swaps, and what you get is a vault of madness that’s somehow only now been cracked open.
 Rather than hoard the goods, Pot-C — armed with a fistful of these raw, weird, undeniably P.U.C.K. beats — threw darts and hit gold. The result? One of the most delightfully unfiltered P.U.C.K. releases to date. Sure, some of it was born in 2007 jam dens, but the verses are fresh out the oven. Don’t expect polish. Expect charm. Expect chaos. Expect a microwave for your hard drives.
 From the ridiculous opener “Fuck This Fucking Bullshit Returns” to “Docta Dorra Stohr” (featuring scene legends Dr. D. Stohr and Hammy-D Jr.), this thing slaps like your friend who still burns CDs. It’s loud. It’s hilarious. It’s P.U.C.K.
 And it wouldn’t be Netlabel Day without them.
 Yo… many thanks to Pirate Pact for delivering that ISH on Netlabel Day!
 Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

P.U.C.K. “The P.U.C.K. Crew Presents Pirate Pact: Reburied Treasure” (BSOG0149)

Since the late ’00s, CM aka Creative has carved out a space at blocSonic where lyrical sharpness and classic boom-bap live in harmony. With “Anime Chris,” he flips the script—this time channeling his lifelong love of anime into five hard-hitting tracks that nod to both his influences and his roots.
CM’s not just paying tribute here. He’s translating that larger-than-life anime energy into bars that cut, bounce, and uplift. Whether he’s trading verses with Headsnack on “Lyrical Assassins”, or going full posse mode on “Stand Proud (UKnoWutImSayin’)” alongside Cheese N Pot-C and C-Doc, CM keeps it authentic. And that signature Creative touch is present in every rhyme.
The title track “Anime Chris” sets the tone: raw, introspective, and laced with references that’ll hit home for heads who grew up with Golgo 13 on the tube and mics in their hands. And just when you think it’s over, CM leaves you with “I Ain’t Done Nothing Yet,” a closing statement that’s part declaration, part cliffhanger.
From the streets of NYC to virtual cyphers, “Anime Chris” feels like CM’s own shonen arc—decades in the making, still leveling up.
Yo CM… thank you and the rest of the collaborating bloc fam for another incredible release!
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Since the late ’00s, CM aka Creative has carved out a space at blocSonic where lyrical sharpness and classic boom-bap live in harmony. With “Anime Chris,” he flips the script—this time channeling his lifelong love of anime into five hard-hitting tracks that nod to both his influences and his roots.
CM’s not just paying tribute here. He’s translating that larger-than-life anime energy into bars that cut, bounce, and uplift. Whether he’s trading verses with Headsnack on “Lyrical Assassins”, or going full posse mode on “Stand Proud (UKnoWutImSayin’)” alongside Cheese N Pot-C and C-Doc, CM keeps it authentic. And that signature Creative touch is present in every rhyme.
The title track “Anime Chris” sets the tone: raw, introspective, and laced with references that’ll hit home for heads who grew up with Golgo 13 on the tube and mics in their hands. And just when you think it’s over, CM leaves you with “I Ain’t Done Nothing Yet,” a closing statement that’s part declaration, part cliffhanger.
From the streets of NYC to virtual cyphers, “Anime Chris” feels like CM’s own shonen arc—decades in the making, still leveling up.
Yo CM… thank you and the rest of the collaborating bloc fam for another incredible release!
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

CM aka Creative “Anime Chris” (BSMX0234)

Just when you thought Headsnack might ease up after 2023’s Too Small To Cancel, he circles back to drop Cancel The Remix!, an 11-track blast of renewed boombap brilliance and razor-edged commentary, retooled for maximum impact.
This is Headsnack’s 7th release at blocSonic, and it’s no “deluxe edition” rehash. Cancel The Remix! dives into remixes of Too Small To Cancel and throws in reimagined classics from his Regenerated Headpiece days. These aren’t just touched-up versions — they’ve been completely overhauled with new mixes, new masters, and in some cases, totally different arrangements. It’s the audio equivalent of a director’s cut, but the director’s been bingeing hip-hop, caffeine, and dystopian documentaries.
As always, Headsnack isn’t pulling punches. If you thought his satire of social media, consumerism, and our collective downward spiral into absurdity was already biting, wait until you hear it repackaged, repurposed, and reborn in remix form.
Headsnack’s unique brand of multimedia mayhem has always sat comfortably in the space between biting cultural critique and pure hip-hop love letter. Whether solo or flanked by the relentless flows of Regenerated Headpiece and Eli and the Mannings, he keeps bringing that punk rock energy to classic hip-hop frameworks. The beats are raw, the samples are sticky, and the bars don’t just punch—they protest.
Heads… make space on your hard drives — this one’s meant to be downloaded, dissected, and played loud.
A huge shout out to Headsnack and all collaborators… thank you for another dope release!
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Just when you thought Headsnack might ease up after 2023’s Too Small To Cancel, he circles back to drop Cancel The Remix!, an 11-track blast of renewed boombap brilliance and razor-edged commentary, retooled for maximum impact.
This is Headsnack’s 7th release at blocSonic, and it’s no “deluxe edition” rehash. Cancel The Remix! dives into remixes of Too Small To Cancel and throws in reimagined classics from his Regenerated Headpiece days. These aren’t just touched-up versions — they’ve been completely overhauled with new mixes, new masters, and in some cases, totally different arrangements. It’s the audio equivalent of a director’s cut, but the director’s been bingeing hip-hop, caffeine, and dystopian documentaries.
As always, Headsnack isn’t pulling punches. If you thought his satire of social media, consumerism, and our collective downward spiral into absurdity was already biting, wait until you hear it repackaged, repurposed, and reborn in remix form.
Headsnack’s unique brand of multimedia mayhem has always sat comfortably in the space between biting cultural critique and pure hip-hop love letter. Whether solo or flanked by the relentless flows of Regenerated Headpiece and Eli and the Mannings, he keeps bringing that punk rock energy to classic hip-hop frameworks. The beats are raw, the samples are sticky, and the bars don’t just punch—they protest.
Heads… make space on your hard drives — this one’s meant to be downloaded, dissected, and played loud.
A huge shout out to Headsnack and all collaborators… thank you for another dope release!
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

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